My favorite things

Showing posts with label jazz piano. Show all posts
Showing posts with label jazz piano. Show all posts

Nov 24, 2012

Art Tatum, Clint Eastwood, Ray Charles and Peterson

Hallelujah!

What kind of a group is it?

I was fishing through Art Tatum for I haven't picked his play before. I started listening jazz early 60es. We had FEN, Far East Network then. That is the only one who broadcast jazz. But the main stream was Glen Miller, Charles Bennet? and those who were top runner at the time. Yes, the broadcast was for military people in far east.

It was mid 1960 when I stared to realize there are lots of styles in jazz. Then Art Tatum and Lenny Tristano came into my vision. As far as I am concerned, both of them tell some kind of philosophy through piano. Tristano had never been my favorite. His phrasing was too sarcastic, let's say. As for Art, we didn't have any LP as that time. There was no internet of course.

This is my first time to really listen to him. I have known that he had done lots of tricks with his magical fingers. He could be better than Oscar Peterson. Peterson sounds to enjoy playing complicated phrase just for its sake. Art sings with it. Well, at the least I hear him pretty nice with this You Tube presentation. https://www.youtube.com/watch?v=aNAJlqn0nO4

Recording is good for the age.



 I found this astonishing video. It's conceivable for me. Ray Charles is talking with Clint Eastwood while watching a video of Art Tatum playing piano and saying comment on both Oscar Peterson and Art Tatum. Interesting, right?

There is a comment attached to this video saying that Peterson is a band men and Art Tatum is for solo. I agree with that. Art Tatum might have been too strict to play with, I guess. He just cannot accept what the sideman's say with their instruments.

Jan 6, 2012

Americans, how do you think foreignes playing jazz?

Ever listened to jazz music played by foreigners, you Americans? Being a foreigner I have been wondering for long time what it could be like.

We, had encountered a debut of foreigner as the "Enka" signer in 2008. It finally made me understand what it was like. The beautiful music is the music and nothing but the music, that what I've found.

There is this Japanese specific category of music called "Enka", It is like American country music, I assume. A foreigner has made his debut as the "Enka" singer in 2008. He was born in Pittsburgh, PA, 26 years old, a quarter of Japanese and American and named "Jero".
When I heard him the first time, I had been bewildered a bit. He has a face of foreigner yet sings beautiful Enka. Most of us, Japanese welcome his debut and he is active singing here.

The melody line is written in minor scale and sounds like there is the fixed grammar for the composition. Yes, I've meant to say that they sound pretty much same.

What you listen to is the verse.

I reckon in these days that I had been too easy to get into tear by listening to Enka and that could be the reason why I started to play piano jazz myself. Since "Enka" has nothing without its verse. On the other hand jazz sounds beatiful without any verse at all. Right! you can filter through your nerve touching particles out from the music and can enjoy the rhythm, melody and technicality of the players along with their personality.



Ever heard this? merci beaucoup! Michel Petrucciani, piano player. He is a foreigner, a French. He has his style and we can enjoy if we don't know the French language, right?

Oct 29, 2009

Oscar Peterson the Great!

He excels in technicality as well as tempo setting, improvisation and above all his sense to jazz music is nothing but the surprise. I listened to Night Train at YouTube. Go ahead and try.



See? Nobody can play this tempo. And it does not fluctuate at all from top to tail.
And he's gone. How sad that is. . . . . .

Aug 3, 2009

Oscar Peterson, the greatest pianist.

I didn't know till this day the death of Oscar Peterson. There are some reasons. I don't read those publications on music anymore. Nor I check online source on who's who type of directory.

I had learned a lot from his standard jazz collection. Yes, he had issued a series on great composers of so-called standard numbers. There wasn't long improvisation. His play was a few choruses for each tune.

They are just beautiful. Yeah, I agree that there is some plays that he has failed to create beautiful alley of tones. But as always, his powerful voicing did astound me and I was just awed.

I have been going through Google Alert and have found a young man, Benny Green. Well he looks young. You can hear "Taking chance of Love" with his? trio. As far as this performance is concerned, he sounds like trying out beat drums and base. His tempo is a bit different from those rhythm. Oscar had never been that. He rides on rhythm.

One more thing, Benny's left hand doesn't match to Oscars'. Voicing is rather simple with Benny if compared to Oscar.

But, I envy Benny. Yes, he definitely is the person to devise some kind of breakthrough.